Batman: The Black Mirror

When I first started reading Scott Snyder's run on DETECTIVE COMICS, I was unfamiliar with his work. It seemed like they had just grabbed a new name after arcs done by distinguished writers such as Grant Morrison (which I actually thought was terrible during his RIP arc), Greg Rucka (who did a brilliant job with bringing the character of Batwoman into the fold), and Paul Dini (whose work ranged from not great to just about perfect). Snyder just seemed like a Johnny-Come-Lately, and the previous arc on DETECTIVE had been particularly disappointing, but alas I had faith that another solid arc was due for the Darkknight Detective, so I kept collecting. Nothing could have made me happier, since Snyder and his partners in crime, artists Jock and Francesco Francavilla had crafted the most solid, unified and smartest Batman tale since Frank Miller and David Mazzucchelli's eponymous BATMAN: YEAR ONE. Not to get too bogged down in plot detail, but essentially, the "Black Mirror" arc begins with Dick Grayson as The Batman (since Bruce Wayne was too busy fighting his way through time... argh...) and he's closing in on a secret auction where 'collectibles' of Gotham's most notorious villains are being sold to an elite crowd of wealthy degenerates, such as Scarecrow's fear gas and the crowbar actually used to beat Jason Todd almost to death. The main villain of the piece is hardly Batman's most powerful enemy, but it does leave some psychic scars on Dick. Next Dick is forced to deal with a dead woman found in an office building. Hardly worth Batman's specific attention, but what is is that the woman's body was found inside a dead killer whale's mouth in an office building. Making matters more complicated is that the woman this murder is sending a message to is actually the daughter of Tony Zucco, the gangster responsible for the death of Dick's parents. While these stories are exciting, well-crafted and beautifully rendered by Jock, we enter a much more personal tale of Commissioner Gordon: the return of his son James Jr., who we haven't seen much of at all in his life. Apparently, James Jr. is a psychotic who is taking a new anti-psychotic medication and hopes to return back to society in some way. This becomes a very personal tale for the Gordon family, including Gordon's ex-wife Barbara and of course his daughter Barbara, formerly Batgirl and now the wheelchair-confined information gatherer Oracle. These interludes are illustrated by the brilliant Francavilla, whose every page looks like it's suitable for framing. Unfortunately for everyone involved, Jr. is not exactly what he seems to be and this leads to a small-scale but highly emotionally charged finale. Scott Snyder did several things in this book that very few before him were able to do successfully. First and foremost, he captured the essence of Dick Grayson bearing the responsibility of being Batman. It's not something he shirks from, but he does feel out of place living in Bruce's penthouse and basically taking the mantle of Batman is no small matter. He is more emotional than Bruce and has more issues with his own fears. Second is that he's one of the few writers to really get the essence of Batman being a detective. While Dick is not as brilliant as Bruce, he was trained by the best, and Batman is not just a machine of brute force dispensing justice with his fists and cool gadgets; he's also considered the world's greatest detective and it's always exciting to see an author with a good handle on that aspect of Batman. Third is Snyder's awareness of Gotham not just being a city, but as being an integral character in the adventures of Batman. There's a darkness to the city that the good people strive to rise above, which is why the partnership of Batman and Jim Gordon has been the lifeline of Gotham's survival. Also on wonderful display here is Snyder's understanding of the supporting cast. He gives all of them equal and necessary life in the story, and has a superb handle on their individual characters. In the few years since Snyder started in this business, first gaining prominence on AMERICAN VAMPIRE (which is another breath of fresh air to a dying genre) and then his work on DETECTIVE gaining him even greater accolades, he has become possibly the best writer currently at DC. Several people, including myself have heralded him as the next Alan Moore. He has an understanding of character, dialogue and structure that is unusual and continually striking. He's been the standout star of DC's "New 52", continuing his work on Batman with Batman Vol. 1: The Court of Owls (The New 52) as well as bringing back one of DC's greatest horror titles, Swamp Thing Vol. 1: Raise Them Bones (The New 52) . He has also continued to establish himself as one of comic's premier horror writers by doing the best horror comic in years over at Image Comics called Severed HC (you can find my review of that book via that link), as well as doing a mini-event that explores the beginnings of Gotham City in Batman: Gates of Gotham (Batman (DC Comics Paperback)) . THE BLACK MIRROR is a Batman classic that people will still be discussing in years to come, as well as his other work in the field. I couldn't suggest more highly picking up any of his books. It doesn't get much better.

This review is super-spoilery. If you haven't read The Black Mirror yet, do yourself a favor and go grab a copy ASAP. You won't regret it. No matter who we are, we can't escape our past. Where we've come from and who we've been leave indelible marks on us. Nowhere is this more true than Gotham City, and in Batman: The Black Mirror, Scott Snyder gives us a glimpse into the Darkness that lies at the core of the city. If you're not a regular Batman reader, you may not know that everyone in the DC Comics universe thought Bruce Wayne was dead for a while. While he was gone, Dick Grayson - the original Robin - took up the mantle of the Batman. After Bruce Wayne's return, he kept Dick as the new Gotham City Batman.* Black Mirror is actually a story featuring Dick Grayson - not Bruce Wayne - as the Batman. Snyder's story is one of the best Batman stories I've ever read. It's a dark, brooding and good, old-fashioned detective story. And it actually works better with Dick instead of Bruce under the cowl. That's a writing feat nothing short of miraculous. Snyder's Gotham is a monstrous city that seeks to poison everyone in it. It turned both Bruce Wayne and Dick Grayson into masked vigilantes. Dick was the child of circus acrobats who were murdered in Gotham. He was taken in by Bruce Wayne, who lost his own parents to Gotham criminals and trained Dick to become Robin. Eventually Dick outgrew the Robin persona and became Nightwing, working in a city near Gotham. Joining Dick in the spotlight of Black Mirror is Commissioner James "Jim" Gordon, who's no less a victim of Gotham's darkness than Dick. He and his first wife Barbara have a son named James, Jr., who left with Barbara when she and Jim divorced. Jim also has a niece named Barbara who came to live with him after her parents died. Barbara dated Dick in high school, and she became the first Batgirl. In Alan Moore's epic The Killing Joke, the Joker shoots Barbara in the stomach, paralyzing her. In a wheelchair, she's now the Oracle. She serves as the information hub for Batman, Robin and their allies. The Black Mirror introduces us for the first time to the adult James, Jr., who has returned to Gotham searching for a second chance. We learn from his suspicious father that James, Jr. is a clinical psychopath: he doesn't feel typical human emotion (yes, just like Dexter). But he comes claiming to be on a new medication that stimulates the brain to produce the chemicals psychopaths lack. He reveals that he's volunteering at Dr. Leslie Thompkins' free clinic. Jim Gordon is suspicious, distrustful. But he can't stop himself from being hopeful, too. Is it possible that his son has found peace and even redemption? Snyder keeps us guessing about James, Jr.'s true nature through the whole book. We feel the tension Jim Gordon feels, torn as he is between Oracle's pessimism and Dick's optimism. Barbara is convinced that James, Jr. is a monster who can and will never change, while Dick is hopeful. And so with this tension established, Snyder asks us a most basic question: can we be anything other than what we have been? We meet Sonja Branch, the estranged daughter of the mobster who killed Dick's parents. A wealthy, successful executive, Dick wonders to Jim Gordon if she's as upstanding as she seems. Dick muses that "it's nice to know that maybe, once in a blue moon, the apple does fall far from the tree in Gotham." The expression on Jim Gordon's face as he echoes, "Once in a blue moon," reveals that he's still wondering about James, Jr. An old case has led Jim to reflect on his son to wonder yet again what made him the way he is. To wonder what he could've done differently. He concludes that Gotham is fundamentally sick. He wonders to Dick: Do you ever feel like... like the more good you do or try to do for people out there, for strangers, the more the ones close to you, the ones you love, get hurt? ...I don't mean in general. I mean here. In Gotham... I'm talking about the damn bedrock. There are times I feel a dark heart down there, Dick. A dark, malformed heart. Since Alan Moore's The Killing Joke, the Batman mythology has suggested that Gotham's villains arise as a response to the Batman's presence. The Joker of Frank Miller's The Dark Knight Returns is comatose, awaking only when news breaks that the Batman has returned to Gotham. And Heath Ledger's Joker in The Dark Knight laughs that Batman thinks Joker wants him dead - the Batman completes Ledger's Joker. But Snyder dares to step beyond this to suggest that it's Gotham, the city itself that creates both the heroes and the monsters. Gotham created the Batman just as it created the Joker. Gotham created Robin by murdering Dick's parents. And now that Dick is the Batman, we learn that Gotham has been creating a new nightmare just for him. Dick's opposite, his dark mirror, isn't the Joker. That surprise comes when we finally meet the newly-escaped Clown Prince of Crime after Batman tracks him down. The Joker knows instantly, chastising Batman: Do you even know what Gotham means, little bird? ...It means a safe place for goats! And do you know what preys on goats? Bats. The bat makes the goat sick. But every bat does this in its own way. And you, you're not my bat! So what sickness has arisen as a response to Dick's new Batman? By the time we reach Snyder's gut-wrenching, perfectly, agonizingly timed reveal, we realize it could have been no one else but James, Jr. James, Jr. is a pure, true psychopath. He's reversed his medications - instead of stimulating the brain to produce more of the drugs that give us emotions, James, Jr.'s drug suppresses them. His master plan - an eerie successor to the Joker's inaugural caper - is to drug a factory in Gotham that manufactures infant formula. James, Jr.'s goal is to create a generation of psychopaths, to remake Gotham's children in his own image. He calmly explains as much to Dick as he tortures his cousin, Barbara: Gotham is a city of nightmares... in the truest sense because what's a nightmare if it isn't a warning? A vision of yourself at your weakest... Batman - the real one - he shapes Gotham out of an obsession... but you new crop, you do it out of compassion. Out of empathy. Out of weakness... And out of all of them, Dick, you're the weakest. [Gotham] is a city of nightmares, and I'm yours. I'm the face you see in the glass. A man with no conscience. No empathy. Gotham made me to challenge you... I am Gotham's son. And the city made me so I could help usher in a new generation of children. Dick proves that his compassion is more a weapon than a weakness, thwarting James, Jr. (probably). But Black Mirror leaves us with an unsettled, uneasy sense that this fight is darker and longer than we thought. We start to wonder if the Batman's quest is actually winnable, in the end. But Dick Grayson never wonders. That's what separates him from the James, Jrs. of the world. That's what separates him even from Bruce. This is a different Batman. Full of optimism. Playful - he makes jokes and teases his teammates. Dick's Batman is at once totally different from Bruce's and at the same time wholly Batman. Most importantly, Dick is hopeful. And it's ultimately that hope that lifts us up over even a surprisingly ambiguous ending. Dick said it perfectly early in the book: I couldn't understand why Bruce... always chose to drive through the streets, moving on the ground... when he could've just soared above it all. But I get it now. Because even back then he understood that Gotham is a place you can never get above, a place you can never see clearly... I can't help it, though. I'm built differently. Because there's something about seeing Gotham from the sky that energizes me, gives me hope, if only for a moment before I come back down to earth. Dick hopes that Gotham can be better. It's a hope that transcends anything even Bruce has. And it's that hope that draws him and those around him - like Jim and Barbara to fight the good fight. Bottom Line: Whether you're a long-time fan of the Batman or only know The Dark Knight, Snyder's book is a must read. The characters are amazing. The plot is fantastic. The art is breathtaking. From start to finish, The Black Mirror is a sterling example of the literary power of comics you'll want to read over and over again. *Since DC Comics has rebooted their entire franchise, none of this is the case anymore. Bruce is back to being the Batman and Dick Grayson has returned to his role as Nightwing.

Batman und Cast in Höchstform,in dem Medium wo er am besten zur Geltung kommt. Snyder arbeitet sehr minimalistisch mit der Anzahl seiner Charaktere, dafür sind die aber definierter, sie ergänzen sich gegenseitig und indirekt in die Story sehr organisch. Die Stories sind wunderbar noir mit den bekannten stilistischen Mittel, vielen Monologen, Femmes Fatales,langen konteplativen Pausen zwischendurch, wer das Genre mag im Zusammenhang mit Batman und die Superheroics weg lasen kann,wird feinste Unterhaltung bekommen. Der Hauptdarsteller des Runs ist zweifelsohne die Stadt. Nie war Gotham so düster, zynisch, dreckig und hoffnungslos. Gotham is a nightmare, a nightmare is a warning, sagt einer der Protagonisten zu einem Zeitpunkt. Das spürt man überall auch und besonders durch die Zeichnungen von Francavilla, der mich an einen sehr rauen Will Eisner erinnert, in denen die Zeit irgendwo Anfang der Achtziger stehengeblieben ist,die kruden Neonlichter sich in immernassen Straßen wiederspiegeln, die langen Schatten der vollen Mülltonnen, eine leere Flasche kommt rollend aus einer Gasse, böses Gelächter... Lesen!

My brother loves it

With Bruce Wayne busy setting up Batman Incorporated, Dick Grayson (the first Robin) dons the cowl and becomes Gotham's Dark Knight. But as Grayson has been finding out since he became the Batman, it's not easy being the Caped Crusader and "The Black Mirror" shows him going up against a macabre and monstrous auctioneer of Batman paraphernalia called "The Dealer", a cyborg carjacker called "Roadrunner", a blind-folded pirate called "Tyger Shark", the Joker (of course) and the double-dealing Sonia Branch aka Sonia Zucco, daughter of Tony Zucco who murdered Grayson's parents. But of all the colourful villains lining up to take down the Batman, none are more disturbing that James Gordon Jnr, who makes a murderous return to Gotham... Having just read "American Vampire" I wasn't sure Scott Snyder had the writing chops to create a Batman series this good, but he proves in "The Black Mirror" that he is easily as talented as the more experienced Batman scribes out there and can create a menacing, taut storyline to boot. I particularly liked the nuances he gives Grayson's Batman: when meeting with Jim Gordon he doesn't suddenly disappear when Gordon turns to switch off the Bat signal, much to Gordon's surprise; Grayson's banter with fellow hero Red Robin, aka Tim Drake (the third Robin), is much more comradely and friendly as the two are really equals than teacher/student as is the way with Wayne/Grayson. Snyder writes the James Gordon Jnr storyline brilliantly, where the suspense between whether or not he's telling the truth is kept up tightly until the right time, and the way the character is written is both chilling and captivating, like Kevin Spacey's performance as John Doe in "Se7en". His normality is what's so disarming, and the artwork by Francesco Francavilla who draws/paints this storyline adds to the creepiness. He draws James as this normal looking kid but the expression on his face is as scary as anyone you'd find in Arkham Asylum. Jock's artwork is fantastic throughout. His covers are amazing, particularly the Joker one which was partially made up of bats, but really they were all excellent and I loved the way he draws Grayson swooping through the Gotham skyline as if he were still in a circus big top on the trapeze. "The Black Mirror" is one of the best self-contained Batman storylines in ages. Like all the best Batman books it's focus is on crime and the evil ordinary people are capable of rather than the cartoonish villains and the overly dramatic superhero elements some other Batman books have (though there are moments of this here too). Refreshingly with Grayson as Batman, while the story is dark, Snyder focuses on hope and light making this Dark Knight book not quite so dark and bleak while maintaining its heart and soul. It's one of the best Batman books out there and is destined to become a classic - what're you waiting for? Sit back and enjoy a Gotham moment.

Deuxième incursion de Scott Snyder sur le personnage de Batman après la mini-série "Les portes de Gotham". L'histoire se déroule alors que Bruce Wayne a disparu au cours des événements de Final Crisis, c'est donc Dick Grayson qui assure l'intérim depuis "Battle for the cowl". Dans un premier temps centré sur Batman, le personnage central va finalement devenir James Gordon. L'excellent travail de Snyder sur cet ouvrage lui a permis de se voir attribuer la série Batman "New 52", souvent pour le meilleur et parfois pour le pire...

The Black Mirror is a perfect example of how good & dangerous ‘ordinary’ be. You can read and enjoy it individually as it stands tall on its own as well. Though there are a couple of times story references past events but new readers can enjoy this story without having to go through the entire lore that comes before it. Full of suspense, chills and thrilling elements. It’s a dark story, and read it so!